Also, formula fiction is not in the style: it is in the story. Stephen King probably uses a unique style, which is perfectly suitable to a writer of his caliber. If I were to guess, the style is his own. The stories, however, are not. Do remember that even if he were the creator of the genre, or its depth, his volume of work has established a regular pattern of storytelling that elicits no sense of uniqueness or originality.
Whether or not I think any living authors have created works that will be "timeless classics" is an interesting and dubious question. What determines a work's future is both the present and the future, and I have no control over the future. For the most part, the most famous are the ones who, in their publication's time, were unpopular. I therefore doubt that I shall have knowledge of the more "timeless" pieces.
Pieces that will be timeless classics but don't quite yet qualify are: The Lord of the Rings (which I don't much care for), And Then There Were None (which is one of my favorites), The Lion, the Witch and the Wardrobe (on which I am indifferent), and To Kill a Mockingbird. I'm sure that something by Mitch Albom (Tuesdays with Morrie and The Five People You Meet in Heaven) will be popular, but I've only read parts of the latter, none of the former. Catch-22 will indubitably make it. Orwell's dead, but recent enough that I can mention that he will be infamous for more than a single book, as will John Steinbeck. Ayn Rand will be remembered for many novels, but probably most for Atlas Shrugged. The Ender's Game saga will likely be famous for a long time yet, but I don't know about "timeless"ness.
13-Jul-2010 21:57:42