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¥ Lord Robert Callobridge ¥

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Cozmic

Cozmic

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This thread has been stuck as a reward for Yrolg's recent 1st place award in the Darkest Secrets Story Contest. This thread will remain stickied until the next contest ends or two months pass.

07-Aug-2012 12:59:25

Cyun

Cyun

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I'm afraid you are simply a writer that is not to my tastes. You, as an author, are highly commendable, I just felt myself become detached visually and emotionally from your descriptions.
I found that you often overuse words in too much of a close proximity to be ignored. Examples of this are words such as: "thus", "abysmal" and "sentiments". It gradually became irksome to read every time that "thus" popped up. I also noticed that you use incredibly long sentences, which meant that your writing has very little diversity in pace, which leads to it being a long drone. Along with your very sophisticated (to the point of being in slightly grotesque amounts) language made it tiresome. It felt as if I was reading something as enthralling as a dusty old tome on nineteenth century law. I'm so sorry, but I simply had no will left to go past the first page. This goes against my moral to judge a book by its cover (or first page), but for you I'll make an acception. Callobridge is a repulsive aristocratic character, and I didn't find any enjoyment in reading how he detested mud on his sleeve.
You do, however, have a vast vocabulary and exhibit it to the world as much as you can. I've never seen something quite as superior as this. For me though, it isn't my cup of tea and I'm afraid to say I won't be going past the first page.

10-Aug-2012 21:25:07 - Last edited on 10-Aug-2012 21:27:47 by Cyun

Yrolg

Yrolg

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Cyun, Thus was used only once every other post, so I hardly see how you think it was overused, especially given its place in the English language as a submodifier. Abysmal was used only twice on the entire first page, so I am even more disheartened that you liken this to remarkable overuse. Again, sentiment was used only twice, so I question the basis of the criticism of definitive and inignorable overusage.
And of course I was inclined to use very long sentences — the very style and era of the piece dictates that I follow the precedent of the mood, lest I shatter it with the succinctity of nonchalance. Whereas I happily use sentences beyond five or six words, I doubt the impact on pace this has in an empirical context. No two subsequent sentences follow the same structure, so it is only natural that one reading for enjoyment of the piece — or at least with the intent to finish it — will encounter a pace that varies as much as Madame Gusteau's attitude.
In reference to your idea that this is synonymous with a nineteenth century book of law, I can categorically disqualify that supposition. I encourage you to read the highly partitioned and technical verbiage of such law before comparing my piece that is unseparated and far from technical. In fact, I think the only use of this analogy is to demonstrate how little you understood the piece, which, again, would be remedied by an intent to appreciate rather than denigrate.
As to your general literary philosophy, whilst I'm honored you will alter your habit of actually reading a story before criticising it, I want to point out that you are making an 'exception' here. If you had made an 'acception', you would have read the entire piece before belittling it.

14-Aug-2012 13:19:20 - Last edited on 15-Aug-2012 04:58:56 by Yrolg

Yrolg

Yrolg

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With regard to your comment on Callobridge, that is entirely correct. You are not meant to envy him and you are certainly not asked to like him; the beauty of the piece is the development of the character throughout it and the attachment that the audience makes to this pompous man before the end. Of course, not reading the end, you wouldn't know that, so I forgive your ignorance.
I won't respond to your final paragraph in full; I can say only that it fully proves my hypothesis that you did not read this piece with an intent to enjoy it, so I am happy your wish came true.
If you ever decide to read the piece in a spirit of literary interest, I welcome substantive feedback. If you are inclined to again spout off ill-informed complaints against the style of the piece, may I instead suggest reading my Omnibus or Lunar Eclipse? After all, the first post did clearly say that this style was not for everybody.
--Yrolg

14-Aug-2012 13:21:05 - Last edited on 14-Aug-2012 23:02:47 by Yrolg

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