"It stood, stranded, in an artificial world."
This is the first sentence that really jumped out at me. You've got some really heavy description going on, but I tend to over-describe as a habit, so I approve. Up to a certain extent, I think it really helps immersion.
This sentence though, I think, sets the scene. One never stops to contemplate the world from the view of a cow. Behind that fence, one would really feel stranded in a foreign, alien world.
"Its large, distant eyes focused in on a few blades of grass, growing out of its own manure. Large, rubbery lips clamped around their food and tugged it out of the ground."
This is possibly one of the best "Show, Don't Tell" instances of desperation and despair I've ever read.
The depths of disgust it conjured upon my reading was profound, followed by a wave of pity for the beast. The fact that any emotion was derived at all means you're doing it right.
"The animal protested, but was forced, by torment, to follow through the tarnished, aluminium gate."
I don't know if it's spelled differently in Britain, but in the US it's spelled "aluminum."
That aside, very powerful sentence, and really excellent comma usage. The appropriate and accurate spacing by punctuation is really setting the drama off.
"The cow looked for support, for understanding, from the man who had fed it and cleaned it. This man was its father, he had been there at its birth; he had always watched over him, from a distance."
This is unimaginably pathetic and pitiful. Really. I'm starting to hate you for making me care so much about a stupid cow.
"A nauseating crunch was heard, then a thud."
Perfect spacing for clarity and for impact. You seem to have almost studied my writing style, because you're doing everything I do.
The hallmark of a good author is one who can let the audience tell the story to themselves from merely describing stimuli, like noises, and you're doing that to a tee.
14-May-2010 19:15:03
- Last edited on
14-May-2010 19:36:00
by
A White Wolf