-Put the emphasis on showing gods' characters, how they react to situations, and less on re-establishing the relationships we already know. And, no entourages - gods are solo.
>Sara as a 'white man's burden' colonialist. He's genuinely dismayed others don't understand his superiority, his sacrifice, how it benefits all to submit to his guidance
>Arma as self doubting, self loathing, easily manipulated yet helplessly self aware; wants to be better but keeps making decisions he knows, but can't admit, are wrong
>Zammy as straightforward and callous; he does what's in the interest of self and follower, with no patience for others - ends always justify means
>Seren as personification of anima mundi (figurative if not literal), distraught
>Zaros as ineffable force, betraying no emotion, sharing no plans, making simple demands and expecting them to be executed
-First cutscene is always Zamorak confronting Armadyl; they are strong, forged on broken worlds, while Sara is frail old man, Zaros and Seren have never known mortality; together, they have strength to rise from chaos. Arma violently rejects offer, but Zammy points out their win is doom for aviantese - what would Seren or Sara care for those who aren't their faithful? What place do Aviantese have in Zaros' fate beyond vivisection? They've already suffered so much in the absence of a god who abandoned them. Arma steps up. He's always preached justice and peace, but part of it rang false, because he's spent centuries dreaming of ripping Zammy limb from limb, destroy every iota of his being, with his only pause being that, once killed, he couldn't destroy Zammy again. If only he could get close to Zamorak again. Zammy taunts him, 'well, here I am,' and Armadyl, defeated, agrees to cooperate with him
The demonic pact forms the crux of CoM, and it's a bit of a letdown not to see it come into play. This sets it up for later while highlighting Arma's weakness.
03-Jan-2017 21:58:38
- Last edited on
03-Jan-2017 22:35:07
by
Rondstat