If you read the whole story, I believe you'll find that all of it is as well written as this paragraph, and is also in the same or a similar atmosphere. The first paragraph sets the mood. Of course, this particular story has loads more qualities, but in an effort to avoid making this a 'how to praise Roshie' guide, I'll let the example stand on its own. I trust you did notice the point, though, that thing about setting the atmosphere early, because you usually don't have room to do it later?
Another thing, one which most people see as a short story's hallmark, is the surprising twist. Examples include, but are not excluded to: almost every short story ever written.
To further that list, you can see Dreamweaver's 'Shaggy Dog Story' and Jacme Slash's 'Writer's Block', two excellent short stories which end in a surprising twist. On the other hand, twists are hard to manage, and so many writers opt to write more straight-forward stories. Look around on the forums and you'll find loads of short story collections which feature stories like that.
I won't say much about the surprising twist because it has been done in a million different ways, and can be done in a million more. It's really up to you, the writer, to find a twist that fits your story and style.
As for genre, your short story can be anything. There is Horror (I think Whitewolf dabbled a little bit with that genre in his thread 'The Anthology'), Comedy (Dreamweaver's Assorted Tales features some funnies), Romance (Give it up for Roshie's 'A Selection of Shorts!' and, if it fits your definition of a *****, 'Outlander') and of course Tragedy, a genre of which I remember no writer off the top of my head. Basically what I'm saying is you can write anything, just like with novels and novellas. Don't limit yourself to just Comedy or surprising-twist ending because you've read short stories of that type.
03-Jun-2008 23:03:08
- Last edited on
18-Sep-2008 00:55:00
by
CaptChekaka