5. Problematic
There is an intrinsic problem with trying to describe the fundamental nature of Elder Gods.
For reasons unknown, Mah had become a failure for her kind, becoming corrupted by Wen according to Seren [7], essentially debunking Zaros's belief that she had insufficient Anima [8]. The result of this corruption had made Mah too afraid to even exist, having had a very weak conscience and having been too primitive to evolve quickly enough.
In my view, the Elder Gods are backward-looking creatures, and this is so incredible because our environment requires that we, the backbones of our Anima, can make changes, something that emerges from non-linear relationships, continuously elaborating into new concepts.
The Creators tend to look at what has already happened - be it the havoc caused by races like the Dragonkin [9] and the Gods, the abuse of their Elder Artifacts [10] and therefore their power, or even the destruction of the planes created by them - but they do not like to look into the future, as others who know what is happening, meaning us, may want to make changes to their world.
In other words, the Elder Gods gain power (not literally) by having a high degree of consensus [11], derived from looking back. Of course, you can agree more on what has already happened than if you plan for the future, where what you want to do is agree to disagree: cooperation (Wen being the exact opposite of that).
I propose that a new paradigm for the leadership of Gielinor is needed. I suggest that our creators are the opposite of leadership. The world cannot evolve quickly enough with them ruining the life that co-exists with them. We are the facilitators in the pursuit of this new paradigm, the succesful transaction between our universe and the next, by moving the pieces into position; the Young Gods tend to be its prophets or theorists; and the Elder Gods are its great engineers, who built the monuments and artifacts for life to thrive on.
Not addicted but committed
21-Apr-2017 23:04:10
- Last edited on
25-Apr-2017 12:06:33
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Die Off